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D.K. Printworld (P) Ltd.
23 cm.
ix, 446p.
Hardcover
Rs. 1100.00
This work may well be expected to serve as an introduction to the study of aesthetics, suitable alike to the needs of our students and the general reader. A fair part of it deals with some of the more difficult concepts and problems one encounters in contemporary Western philosophical discourse on art. At the same time, the book is studded with illustrative references to contemporary aesthetic practice in India. This is true of almost every individual chapter; and the close is provided by a critical and comprehensive, yet intelligible account of the Indian theory of rasa, to which some eminent Western aestheticians, such as Susanne K. Langer and Harold Osborne, have referred admiringly in some of their basic writings. What should make this book specially attractive to enquiring readers is its consistent attempt to reflect on teasing aesthetical questions with clarity.
About The Author
Sushil Kumar Saxena (b. 1921) is widely known today as a scholar who has shown the way to look at Indian music, rhythm, and dance in the way of contemporary Western aesthetics. As a professor of philosophy at Delhi University, he distinguished himself with his very first book, Studies in the Metaphysics of Bradley (1967) published by George Allen & Unwin, London, and Humanities Press, New York, in their prestigious Muirhead Library series of philosophical works. Dr Saxena introduced the teaching of aesthetics at Delhi University in 1964; and, since his retirement in 1986, has published a steady stream of scholarly papers in internationally reputed journals through the 1970s and 80s. What is more, he has produced six books on Hindustani music, rhythm and Kathak dance, besides a work on philosophy of religion, Ever Unto God: Essays on Gandhi and Religion (1988). His latest book is Hindustani Sangeet: Some Perspectives, Some Performers (Sangeet Natak Akademi, and D.K. Printworld 2010). For all this scholarly work, Prof. Saxena has been honoured by Sangeet Natak Akademi with its Annual Award (2007) and its fellowship in 2008. He was bestowed the state honour, Padma Bhushan, also in 2008.
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